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About Me and
My Whips - a brief(ish) history.
My Aim
My aim is straightforward: to offer
good quality whips that are a pleasure to own and use, at a fair
price for the work and materials involved; and delivered within
a reasonable time scale. I enjoy making whips, and it gives me
great satisfaction to know the pleasure that they bring to
others.
My Background
To some degree, leather working has been
in my family for at least three generations. In the 1940's,
my grandfather made and repaired shoes for local people from the
workshop at the back of his house in Redhill. My father would be
sent to market to buy leather from the local merchant, with the
admonition, "and tell 'im, no ox". I can remember shoe
maker's tools in Dad's shed when I was a child but it never
occurred to me to ask what they were doing there. Other than
seeing him repair the occasional item of leather, I had no
inkling that leather working was among the many accomplishments
of my family until I spoke to him about setting up as a whip
maker - and discovered that he even had some knowledge of
plaiting leather
Like many of the current
generation of whip makers, I came to the craft through whip
cracking. I got hooked by having a go with cheap novelty whips.
Five or ten minutes' use was enough for them to fall apart but,
having been around lines and ropes since my youth, I was able
make rough repairs easily enough. That sowed the seed of my
interest in whip making. At that stage I had no inkling that
there still people out there making quality whips the old
fashioned way. My first ventures into whip making were made
using nylon and cotton rope, and were a far cry from the sort of
stuff that I'm making today.
Although I had no opportunity
to learn my craft from another maker, over the next few years I
had a unique chance to study the work of many of the world's
better whip makers. Through my partner's business, I came into
contact with American whip maker, Victor Tella. Victor's work,
and subsequently that of other makers, opened my eyes to the
possibilities that were available to someone with the right
skills, patience and imagination. Hundreds of whips passed
through our hands: new ones from well known modern makers and
antiques by famous names such as Zair and R.M. Williams. At the
same time, contact with the slowly growing community of British
whip crackers (from both sides of the fetish fence) gave me the
opportunity to become familiar with the work of many more whip
makers; and offering a repairs service gave me an insight into
the many ways that different whip makers go about making their
products.
Those years informed my
opinions on what I consider to be a good whip, and on how to go
about making it: I saw some excellent whips, I saw poor whips
that looked good, I saw poor looking whips that handled
superbly, and I saw plenty of good whips that I just didn't
like.
Business Ethic
During the same period, I also
heard a lot of rubbish spoken about whip making and whip makers
- usually by whip makers or vendors trying to make a sale or
giving out misinformation about a competitor's work. I made a
promise to myself, that personal integrity and product quality
would be central to how I do business.
Integrity
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I'll never give bad
advice, or offer a whip that I don't think suits a
customer's needs, in order to make a sale.
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I'll happily direct a
customer to another whip maker if I believe that they are
more likely to be able to meet that customer's needs.
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I will never make negative
comments - let alone misleading statements - about the
quality of another whip maker's work, or the way they make
their whips.
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My Terms
and Conditions, Guarantee, and Returns Policy, are
clearly stated on the website so that you know exactly where
you stand before you place an order.
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I aim to run my business
in an environmentally responsible manner: recycling
packaging, cutting down on the use of petrochemicals in
packaging and manufacturing materials, and trying to avoid
the use of adhesives and solvents which may be harmful to
the environment. I am currently (October 2006) looking at
shipping options in order to reduce the carbon output
associated with receiving raw materials and sending out
deliveries.
Product Quality
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Every whip is made by
solely by me, from start to finish.
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Performance first,
aesthetics second: the whips I make are beautiful items
because I try to get as close as possible to the principle
that 'form follows function'. They are built to be
easy to crack and well behaved, with a long life expectancy.
Consequently, the lace in the upper parts of thongs, and on
handles, tends to be wider than some other whip makers' work
and strands are usually dropped relatively late. Fancy braiding on
handles and flexible parts of whips can affect longevity and
handling, so I only vary the pattern when it will add to the
performance of the whip or cannot adversely affect it.
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For longer whips,
especially, I use hides that are slightly thicker than those
used by some other whip makers. This makes for a whip that
is better suited to use in our wet and muddy British
climate, without unduly affecting the aesthetic or
performance of the finished product.
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The vast majority of the
leather I use for plaiting is supplied to me by a tannery
that specialises in producing leather for whip making. It is
noticeably superior to vegetable tanned craft and falconry
leather in a number of ways. This leather is more expensive
than ordinary vegetable tanned kangaroo hide, but the
results are worth it.
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I don't take short cuts:
all the lace for my whips is cut by hand, the traditional
way, using a knife rather than a lace cutter or jig. This is
slower but, I believe, it gives a greater feeling for the
leather you are cutting, with the result that fewer strands
break during plaiting and a better whip results. Once
cut, the lace for the whip goes through three more stages of
preparation before being ready for plaiting.
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Every layer of the whip is
reinforced.
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Every whip comes with a 12
month guarantee.
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I will never send out a
whip that I would not be happy to use myself.
Whip Making Materials
Kangaroo Hide

Since
European craftsmen first settled in Australia, whip makers have
recognised the advantages of this leather over others for the
production of whips. The hides are thin but dense, cut cleanly,
and are usually strong enough to be cut into very thin lace but
still endure a strong pull - thus providing the whip maker with
a number of functional and aesthetic advantages in comparison to
other leathers.
There,
of course, different tannages - and degrees of quality within
those tannages. For some time, I used vegetable tanned
craft hides. I still use such leather on occasion, for example
when a custom commission requires a specific unusual colour but,
for the very best whips, I prefer not to: even the finest
vegetable tanned craft leathers have only about 75% of the strength of the leather I
now import. Not only that, but I found that such leathers - not
being produced with professional whip makers in mind - tend
to have more scarring, tick marks and consequent waste. The
leather I now import is the best that I have seen from any
source and is a real pleasure to work with. It is, of course,
imported with all relevant permits.
Roo hide is used throughout
the whip: cores, shot sack and bolsters as well as plaited
bellies and overlays. I do not use any other leathers in any part of any
whip that is sold as a kangaroo hide whip (except the fall).
Cow Hide

There is a myth that the only
good whip is a kangaroo hide one. Whilst it's true that a good
whip maker can refine and tweak his or her designs more easily
with kangaroo, the bottom line is that it's the way in which the
whip is put together that has the greatest influence on it's
quality.
All that said, for the time
being, I have reluctantly halted production of cowhide whips. I
have been finding it increasingly difficult to source really
good hide in the UK, with the result that I find myself spending
as much time making a cowhide whip as I do on a more complicated
(and higher priced) roo hide design. In addition, because I
won't use lower quality leather, a lot is going to waste.
Australian cowhide stock whips
will remain available - and they make great first whips for
a whip cracker on a budget, or who wants the toughest whip
possible.
Other Materials
I believe that everyone has a
responsibility to limit their impact upon the world around them,
and that increasing the use of natural products has an important
part to play in safeguarding the future. Because of this, I
try to minimise the impact of my craft on the environment: my ideal
is a whip that caused no harm in the making, and will completely
rot away when it's finally discarded. I have not quite got there
but the steel handles are recyclable, any lead can be removed
for recycling or responsible disposal, and virtually all other
materials will rot away safely - or could even be composted!
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I don't use GRP for
whipstocks, or make nylon whips; and the only synthetic
threads you'll find in my whips are the crackers (and even
that may not be true for too much longer).
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There are no
petrochemical-based dressings used in making the whip - my
own-recipe braiding soap is made with natural soaps, waxes
and fats.
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I am one of a dwindling
number of whip makers world-wide, who still use natural
materials for whip cord, and for reinforcement. This can
make for a slightly thicker than normal transition on
bullwhip thongs, but has no impact on durability or strength
of the finished product.
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I use very little in the
way of adhesives: the strength of my whips comes from
old-fashioned construction methods. When I do use them, I
use rubber based adhesives that have no harmful solvents.
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I try to minimise the use
of lead, so I won't make bull and stock whips (other than my
mini-bulls) with shot sacks. On the occasions when I do use
lead, I break my rule about no petrochemicals to seal it
under plastic tape in order to prevent any chance of part of it
leaching through the leather over time. When the whip is
ultimately discarded, lead shot can be recovered from the
shot sack or handle to enable re-cycling of the metal parts
and disposal of the natural parts of the whip.
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